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Student Work Gallery
The Student Work Gallery shows genuine student work as it is added, with each piece linked back to its course. This page explains how that work will be set out by course area and labelled, so a brow, a lip or a line on practice skin always points back to the page that teaches it.
Reference photograph, not student work: a gloved technician working close to the brow with a precision tool.
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How each piece is presented
Training work comes in two kinds, and the gallery will keep them apart. Practice skin pieces will show strokes, shading and line control on synthetic sheets, where a student can repeat a pattern until it is even. Live work will be shown only with the client’s consent, and healed pictures will be marked as healed so you are not comparing a fresh brow with a settled one.
As genuine pieces are added, each one will carry three labels: the course area, the course page it relates to, and whether it is practice or live work. That way the gallery works as a reference for the course, not a highlight reel.
Photographs elsewhere on this site are reference images of the discipline. Only pieces in this gallery are labelled as student work.
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The gallery by course area
Genuine student work will be grouped under these areas as it is added, each piece linked back to its course.
Brows
Genuine student work from the Microblading Course, the Powder & Ombre Brows Course and the Eyebrow Tattoo Course, shown as it is added.
Lips
Genuine student work from the Lip Tattoo Course, shown as it is added.
Eyes
Genuine student work from the Eyeliner Tattoo Course, shown as it is added.
Fine Line
Genuine student work from the Fine Line Tattoo Course, shown as it is added.
Removal
Genuine student work from the Tattoo Removal Course, shown as it is added.
New to the field? Most areas build on the Cosmetic Tattoo Course. The full list is on the Courses page.
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How to read student work
A good training piece is not about drama. Look for the quiet things that show control.
Consistency
Strokes of even depth and spacing, shading that grades smoothly, lines that keep one weight from start to finish.
Balance
Brows mapped to the face rather than copied from a stencil, and lip shapes that respect the natural border.
Fresh versus healed
Fresh work looks darker and sharper. Healed work shows what the skin kept, which is the truer test.
Reference photograph: design sheets come before skin.
Mapping: check the start, arch and tail line up with the face.
Pigment: colour should suit the skin tone, not just the photo lighting.
Skin: little redness or overworking around the edges.
More in How to Choose a Cosmetic Tattoo Course and Study Tips for Cosmetic Tattoo Students.
Found the area you want to work in?
Read the matching course page, meet the trainers, then send an enquiry. For general questions, use the contact form.